Page 150 - Contemporary Indian Art
P. 150

Lot No. 118

               Thukral & Tagra
               b. 1976 & b. 1979

               UNTITLED
               72 x 72 in (183 x 183 cm)
               Oil on canvas

               ` 10,00,000 – 15,00,000 | $ 12,346 - 18,519





















               Jiten Thukral and Sumir Tagra have
               collaborated since the turn of the
               millennium to create highly immersive
               and interactive environments meant
               to push the boundaries of art. The
               visual syntax of their work has evolved
               over the years and has become rooted
               in  several  socio-political  aspects
               of Indian culture. It explores and    challenges. Inviting the viewers to
               reflects  on  the  changing  aspirations   act  as  protagonists  through  their
               of the middle class with tropes of   playful and interactive creations, their
               migration to a foreign land and the    artistic approach seeks to challenge
               repercussion of a materially consumed   the  status quo while at the same
               contemporary  India. With humorous   time providing a sense of nostalgia.
               and playful visual compositions,  the
               artists have also expressed their   Blurring the line between Fine Art
               concerns on the essence of an Indian   and  Popular Culture,  the  versatile
               identity,  whether  articulated  by  practice  by  the  artist  duo  spans  a
               Indians  themselves  or  that  which  is   range of mediums, including painting,
               extrapolated by the  rest of the world.   sculpture,  installations,  interactive
                                               games,  video,  performance,  and
               Drawing on their personal history and   design.  Characterised by vibrant
               memories, works by Thukral and Tagra   imagery and exuberant  colours, their
               also concern the issues of their  native   paintings position everyday objects
               state of Punjab, including the agrarian   like  cameras,  and  alarm  clocks  in  a
               distress of  the farming community   human-like form. The  setting of
               by using ‘games’ and ‘sports’ as a   flora  and  fauna  amid  which  they  are
               metaphor to depict their resilience   suspended makes them look like a part
               and endurance in  the face of extreme   of nature.
   145   146   147   148   149   150   151   152   153   154   155