Page 26 - Contemporary Indian Art
P. 26

Lot No. 15

               Prithpal Singh Ladi
               1955-2023

               UNTITLED
               19 x 51 x 30 in (48.3 x 129.5 x 76.2 cm)
               Fibreglass, aluminum, rope, glass, wood and paint

               ` 20,00,000 – 30,00,000 | $ 24,691 - 37,037

               Illustrated are two views of the presented lot.






               Born in Shillong in 1955, Prithpal Singh Ladi
               pursued his studies in sculpture at MS University,
               Baroda. His artistic expression often delves
               into the realm of the eccentric, showcasing a
               distinctive penchant  for the unconventional.
               Ladi’s sculptures are imbued with a peculiar sense
               of humor, effortlessly transitioning between the
               mundane and the fantastical, or from the overt
               to the implied. Notwithstanding, certain pieces
               such as “Wishing Well” and an untitled sculpture
               depicting a man engrossed in reading within his
               bathtub demonstrate a more straightforward
               form of realism prevalent in his oeuvre.

               Throughout his career, Ladi received accolades
               including the National Award from Lalit Kala
               Akademi in 1981, the Gujarat Lalit Kala Akademi
               Awards in 1978 and 1988, and the inaugural Bendre
               Husain Award in 1989. He was also a recipient of
               numerous scholarships, notably attending the
               Ecole Superieure des Beaux Arts in Paris from
               1981 to 1982. Additionally, Ladi imparted his
               expertise as a sculpture instructor at the School of
               Architecture in Ahmedabad and NIFT in New Delhi.

               His notable exhibitions include a solo showcase at
               Jehangir Art Gallery, supported by RPG, in 1996,
               participation  in  the  8th  Asian  Biennale  in  Dhaka,
               representation at Contemporary Indian Art in Peru
               in 1998, and inclusion in Edge of the Century in
               New Delhi in 1999. Further exhibitions encompass
               a solo display at Gallery Goethe, supported by
               Kulturreferat, in Munich in 2000, “See Through,”
               an exhibition in glass at the British Council in New
               Delhi in 2001, and showcases in galleries such as
               Muller and Plate in Munich in 2002. His miniature
               works also garnered attention in New York.
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