Page 38 - Dimensions Defined
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Lot No. 23
               M F HUSAIN
               1915-2011


               UNTITLED (WOOD CUTOUT)
               66.5 x 52 x 1 in ( 169 x 132 x 2.5 cm)
               Acrylic on wood
               1992
               Signed & Dated: Bottom Left
               ` 20,00,000 - 25,00,000 | $ 24,390 - 30,488


               Published: ‘The Eternal Master - Selected
               Works 1941-2011’ by The Arts Trust, 2024

               Provenance: Property from a collection based
               in Mumbai.












               The  greatness  of  Maqbool  Fida  Along  with  several  solo  exhibitions  he
               Husain surpasses the idea of time and   had  major retrospectives in Mumbai
               generations, continuing to be single-  in 1969, in Calcutta in 1973 and  New
               handedly credited  for putting  modern   Delhi  in 1978. He has  participated in
               Indian art on the world  platform.   many international shows which include
               Although  his  works  were  influenced  by   Contemporary Indian Art, Royal Academy
               Western art movements like Cubism   of Arts, London 1982; Six Indian Painters,
               and Expressionism, they were also   Tate Gallery, London 1985; Modern Indian
               unrelentingly anchored to his roots. Born   Painting, Hirschhorn Museum, Washington
               in Pandharpur, Maharashtra in 1915,   1986 and Contemporary Indian Art, Grey
               Husain moved to Mumbai at the age of   Art  Gallery,  New  York  1986.  Husain  was
               20 and worked through many challenges   awarded the Padma Bhushan in 1973,
               to emerge as a forerunner of modern   the  Padma  Vibhushan  in  1989  and  was
               Indian art.                     nominated  to  the  Rajya  Sabha  in  1986.
                                               The artist passed away in 2011.
               A  self-taught  painter,  he  reached
               Mumbai determined to become an artist.
               Initially, Husain apprenticed himself to a
               painter  of cinema hoarding. He would
               paint these with great dexterity, perched
               on scaffolding,  often in the middle of
               traffic. Husain  was  noticed for  the  first
               time in 1947 when he won an award at
               the annual exhibition of the Bombay Art
               Society. Subsequently, he was invited
               by  Souza  to  join  the  Progressive  Artists
               Group.                                                Cover of the publication with the work illustrated.
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