Page 130 - AstaGuru Masters Legacy April 2024
P. 130

Lot No. 34



               GANESH PYNE
               1937-2013

               THE HEAD
               21.5 x 18.5 in (54.6 x 47 cm)
               Pen,ink,charcoal & pastel on paper pasted on card
               2000
               Signed & Dated: Bottom Right

               ` 10,00,000 - 15,00,000 | $12,195 - 18,293

               Provenance: Property from an important collection
               based in Kolkata.







               Born in 1937 in Calcutta, Ganesh Pyne’s artistic
               journey commenced in his early years with
               sketches and doodles. After completing his
               schooling, he pursued his passion by enrolling at
               the Government College of Art & Crafts in Calcutta.
               In 1959, he achieved a diploma in Fine Arts.

               During his formative years, Pyne found inspiration
               in the creative legacies of Abanindranath and
               Gaganendranath Tagore. During the early 1960s,
               he dedicated a portion of his day to sketching
               for animated films at Mandar Mullick’s studio.
               In  1963,  he  became  a founding  member  of  the
               Society of Contemporary Artists, marking the
               beginning of his consistent participation in the
               society’s annual exhibitions, showcasing three
               temperas or mixed media works until the late 1980s.

               Initially, Pyne depicted vibrant mornings and
               roadside temples in watercolours and sketches,
               influenced by Walt Disney’s optimism. Influences
               from artists such as Hals, Rembrandt, and Paul
               Klee also shaped his vision. As time progressed, his
               personal emotions became a wellspring of artistic
               inspiration,  channelling  feelings  of  alienation,  pain,
               horror, and rage onto his canvases. His bold, precise,
               and  controlled  lines  resulted  in  drawings  that
               resonated powerfully in form and content. Stripped
               of colour, his paintings found their strength in their
               fundamental structure.
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