Page 229 - AstaGuru Modern Odyssey
P. 229

Lot No. 176

                      B PRABHA
                      1933 - 2001

                      UNTITLED
                      38.4 x 44.3 in (97.5 x 112.5 cm)
                      Oil on canvas
                      1987
                      Signed & Dated: Bottom Right

                      ` 20,00,000 - 30,00,000 | $ 24,390 - 36,585

                      Provenance: Property from a collection based
                      in New Delhi.
























                      B.  Prabha,  a  pioneering  woman  artist  of  her  time,
                      cemented her status as a leading figure in Indian
                      modern  art.  Born  in  1933  in  a  Maharashtra  village,
                      she initiated her artistic journey at the Nagpur School
                      of Arts and further honed her skills at Mumbai’s
                      prestigious J.J. School of Art. In an era when Indian
                      modernism sought connection with audiences,
                      Prabha carved her niche, diverging from conventions.
                      Unlike the Progressives, she embraced a distinctive
                      style that delved into uncharted territories.

                      Experimenting with various mediums before settling
                      on oil, she explored diverse themes, from landscapes
                      to pressing societal issues like drought and hunger.
                      Prabha’s mastery lies in capturing human emotions
                      through her brushstrokes, evident in her adept use
                      of colours and nuanced compositions. Her artworks,
                      often blending warm tones, evoke a sense of
                      familiarity and nostalgia. Through her paintings,
                      Prabha effectively conveyed universal emotions
                      and struggles that transcend boundaries, leaving an
                      indelible mark on the landscape of Indian art.
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