Page 51 - AstaGuru Modern Odyssey
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Lot No. 34
                      J SWAMINATHAN

                      1928-1994
                      BIRD, MOUNTAIN, TREE
                      30 x 20 in (76.2 x 50.8 cm)
                      Oil on canvas
                      1986
                      Signed & Dated: Verso


                      ` 50,00,000 – 70,00,000 | $ 60,976 – 85,366
                      Provenance: Property from a collection based in New Delhi.














                      Jagdish  Swaminathan’s  ‘Bird,  Mountain,  Tree’  showcases
                      the artist’s revolutionary approach to painting  and  his deep
                      exploration of the interplay between space, time, and
                      spirituality. The series, characterized by its iconic dual signifiers
                      of birds and mountains, transcends traditional boundaries,
                      inviting viewers into a two-dimensional cosmos that is both
                      meditative and metaphorical.

                      In these works, Swaminathan’s surrealist vision unfolds
                      with a magnetic pull, defying gravity and releasing viewers’
                      thoughts on a levitating flight. The untitled oil on canvas from
                      1986, a pivotal piece in the series, showcases Swaminathan’s
                      structured  ideology and  the culmination of his exploration
                      into the relationship between space and time. The painting’s
                      placid elevated surface of colour, infused with the momentum
                      of thoughts, reflects shattered spatial spaces, offering a silent
                      existence of a frequency that penetrates the senses.

                      Jagdish Swaminathan made his contributions as an artist,
                      writer, as well as an activist. Throughout his artistic journey, he
                      delved into the realms of colour, geometry and symbolism. His
                      unwavering conviction in the significance, and even supremacy,
                      of folk and tribal art found expression not just within his creative
                      work, wherewith he would frequently incorporate motifs with
                      tribal  linkage; but also through his  relentless  endeavours  to
                      champion these art traditions while he was the director of
                      Roopanker  art  museum  in  Bhopal.  This  distinct  perspective
                      set J Swaminathan apart from his peers, who frequently drew
                      inspiration from Western sources, highlighting his innovative
                      ideas as a defining characteristic of his legacy.
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