Page 148 - Iconic Masters October2023
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A        Seminal












                                                                                                                                             Work                                   by       Raza






























                                                                                                                                          Executed in the year 2004, the presented lot titled
                                                                                                                                          ‘Jagrat,’ stands as a shining example of his S. H. Raza’s
                                                                                                                                          exploration of the ‘Bindu,’ a motif that would become
                                                                                                                                          an iconic and unifying element in his body of work. S. H.
                                                                                                                                          Raza’s interpretation of the Bindu, a term derived from
                                                                                                                                          Sanskrit that means ‘dot,’ ‘point,’ or ‘seed,’ transcends
                                                                                                                                          its  mere  visual representation.  It delves  into  the
                                                                                                                                          metaphysical and spiritual realms of existence, with the   The artist with the presented lot.
                                                                                                                                          Bindu emerging as a potent symbol representing the
                                                                                                                                          source of creation, the core of energy, and life itself.

                                                                                                                                          Within this composition, the artist delves into the essence   S. H. Raza, born in 1922, spent his early years in towns
                                                                                                                                          of nature through varied geometric configuration that   adjacent to the forests of Madhya Pradesh, an
                                                                                                                                          harmoniously relates to the larger whole. Through this   experience that instilled in him a deep connection with
                                                                                                                                          intricate structure, S.H. Raza creates a self-contained   the surrounding natural world. This connection became
                                                                                                                                          universe within the artwork, inviting viewers to decipher   a lasting part of him, leaving a profound impact on his
                                                                                                                                          its visual language. The piece also encapsulates the   artistic journey. Throughout his remarkable career, S.H.
                                                                                                                                          artist’s pioneering approach to geometric abstraction.   Raza received numerous accolades, including several
                                                                                                                                          The  utilization  of  sacred  geometry  in  this  context   prestigious awards. In 1981, he was honored with the
                                                                                                                                          expands the interpretive boundaries of the artwork,   Padma Shri and Fellowship of the Lalit Kala Akademi.
                                                                                                                                          transcending specific religious or geographical   In 2007, he was bestowed with the esteemed Padma
                                                                                                                                          associations. Instead, these forms exude a universal   Bhushan, further acknowledging his significant impact
                                                                                                                                          essence, invoking the elemental, primal, and timeless   on the artistic landscape. In 2013, he was honored with
                                                                                                                                          aspects of existence. In ‘Jagrat,’ the Bindu takes center   the distinguished Padma Vibhushan, a testament to his
                                                                                                                                          stage, amplified by the color black, which, for the artist,   exceptional achievements and profound influence in
                                                                                                                                          symbolized the vastness of the universe.  the field of art.
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