Page 178 - Iconic Masters October2023
P. 178

Lot No. 147

               S H RAZA
               1922-2016

               NAGAS
               31.5 x 16 in (80 x 40.6 cm)
               Acrylic on canvas
               1989
               Signed & Dated: Bottom Centre

               ` 40,00,000 - 60,00,000 | $ 47,059 - 70,588

               Provenance: Property from a collection based in
               Mumbai. Artwork was acquired by the present owner
               directly from the artist.

               This lot will be offered without a reserve.












               At the core of S H Raza’s art lies a profound celebration
               of nature. His later abstract creations are marked by
               the harmonious fusion of geometric forms and spiritual
               principles. Frequently, his themes were drawn from the
               memories of his childhood spent amidst the lush forests
               of his native village in Madhya Pradesh. Raza’s artistic
               journey spanning nearly eight decades serves as a
               testament to an individual who continually pushed the
               boundaries of modern art, challenging not only the art
               world but also himself.

               In the late 1970s, the artist’s attention shifted
               towards pure geometric forms. His images became
               improvisations on a fundamental concept: that of
               mapping out a metaphorical space within the human
               psyche.  During  this  period,  the  “bindu,”  a  motif  that
               would later become synonymous with Raza’s work,
               began to emerge. It was the outcome of his deep
               contemplation of “pure plastic order” interwoven with
               his profound connection to nature. These two facets
               converged into a singular point, the bindu, symbolizing
               the seed of all life’s potential. It also embodied a visible
               form encompassing all the essential elements of line,
               tone, colour, texture, and space.

               The appearance of the bindu as a solitary and
               meditative form marked Raza’s transition into pure
               geometric abstraction, which ultimately became the
               hallmark of his art in later years. Over the course of his
               long and illustrious career, Raza’s works have graced
               numerous exhibitions.
   173   174   175   176   177   178   179   180   181   182   183