Page 230 - Iconic Masters October2023
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Lot No. 190
                                                  JEHANGIR SABAVALA
                                                           1922-2011

                                                 THE SKY LIKE A FURNACE BURNING
                                                      34 x 36 in (86.3 x 91.4 cm)
                                                          Oil on canvas
                                                             1968
                                                    Signed & Dated: Bottom Left

                                             ` 3,50,00,000 - 4,50,00,000 | $ 411,765 - 529,412
                                          Provenance: Property from the collection of Homi Adajania.
                                          Artwork was acquired by the family directly from the artist.





                       Jehangir Sabavala was born in the year 1922 in   or in the shadows. Later, the human form disappeared
                       Bombay. He enrolled at the Sir J.J. School of Arts and   entirely from his narrative and he would simply depict
                       received  his  diploma in  the  year 1944. Thereafter, he   landscapes of areas prior to their discovery by man.
                       pursued further education in some of the most reputed   The large swathes of land seemed to have not yet
                       colleges in Europe such as Heatherley School of Art in   been visited by its inhabitants, but at the same time did
                       London, Academie Andre Lhote, Academie Julian and   not seem to be affected by their lack of habitation.
                       Academic de la Grande Chaumiere in Paris.
                                                               As seen in the presented lot, he had an inherent skill for
                       His art is defined by its calm and refined nature. His early   creating masterful cubic compositions, not only with his
                       works saw human figures that were rendered to seem   brushstrokes  but  also  using  the  interplay  of  light  and
                       miniscule, overshadowed by the larger image and its   shadow. He preferred to use veiled light and middle
                       stillness. Jehangir Sabavala’s art traversed various   tones as opposed to executing loud imagery. There is
                       realms and terrains in order to capture the fragmented   an intricate depth in his landscape works - while the
                       outer reality. The human figure has seldom been of   land may seem barren and desolate, his utilisation of
                       primary  focus  in his  works, often  illustrated as veiled   texture and depth lends them peace and tranquillity.
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