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titled  and  to  of  Renoir  the  he  and  was  his  himself  Returning  artist  newfound  to  those  was  Ruel  the  did  end


                             and    masses  birth  movement  exhibitions,  him,  He  with  the  Luncheon  travel  by  success  -  bridge  rheumatoid-  eventually  wheelchair  challenges  indomitable  the
                       Pierre-Auguste RENOIR
                             1874     give        Salon.  styles  1882,  –  the  to  inspired  Durand  helped  and  towards

                             in Impressionists.”  the  would  Pierre-Auguste  disenchanted  official  other  sustaining  portraits.  in  works  With  artist  his  ,  the  from  years  these  Renoir’s  works
                             exhibition  the  among  name  Impressionist  Impressionist  the  at  fusing  while  famous  1881.  in  the  for  works  period  this  of opening  which  suffer  the height-adjustable  create





                             first  of  the  the  While  criticism  work  commissioned  Exhibition  most  painted  flexibility  create  During  1888, gap between American collectors and Impressionist Art.  to begun  over  a  However,  Pierre-Auguste  to

                             the  Exhibition  favour  group,  as  three  his  with  his  the  in  worsened  use
                             of          know  century.  first  harsh  Impressionism  of  Party,  the  and  by  Manhattan  also  to  paint.  continued
                             critique  "The  gaining  the  by  now  19th  the  to  and  exhibiting  experimenting  through  Impressionist  one  Boating  came  places  environments.  punctuated  in  had  which  artist  the  to  able  deter  to  he



                             scathing  article,  his  Quickly  accepted  we  what  late  the  submitted  persistent  resumed  also  of idiom  financially  the  to  showcased  the  of  success  different  local  also  Gallery  artist  The  arthritis,  required  be  to  nothing  and spirit,  life.  his  of







                             Impressionist  created Renoir  fascinating  sublime  charming  and  in  1841  in  years  four  was  to family  the  an b egan  motifs copied  painting  the  was  and Gleyre  few  a  after  a  with 1864  Renoir’s marked  the  of decade  crucial  a  also  Impressionist  temperament,  Claude including  Cézanne,  Paul  Renoir  modern  to  a  in  to opposed  of moments  first  The  light.  led  also which  a penned







                             revolutionary  Pierre-Auguste  his  with  landscapes,  bathers  beginnings  Renoir  moved tailor,  h e fourteen,  he where  joined  he  Charles  Beaux-Arts  in success  which  the  ed  marr  was  it  but  the  of  artistic  artists,  Sisley,  Pierre-Auguste  and  voice  new  a  as  air,  scenic  the  natural  1874,  in  Leroy Louis







                             the  legacy  shimmering  kissed  humble  Pierre-Auguste  a  was  workshop,  1862,  artist  des  tasted  Esmeralda,  Renoir,  distinct  French  Alfred  Degas  give  plein  capture  fleeting  of  held  was  critic

                             of  artist  artistic  who  of  In  École  difficulties  development  great  Pissarro,  to  en  to  effect  group  art
                             luminaries  French  bearing  sun  to  Born  France,  father,  age  the  a  at  items.  Swiss  the  the  artist  La  -  Salon.  financial  Pierre-Auguste  Possessing  of  Edgar  movement  painting  sought  the  the  after






                             the  extraordinary  nudes,  his  At  apprenticeship  porcelain  of  to  The  titled  the  for  the  for  generation  Camille  Morisot,  the  By  they  under  by  naming,
                             of  movement,  canvases  portraits.  Limoges,  when  classes  admitted  months.  painting  at  Persistent  movement.  painting.  exhibition  the
                             One  an  female  old  Paris.  on   debut   1860s  time  the  Monet,  Berthe  unified  studio,  nature  to






































































                                                                                                       “ Art is about emotion; art needs to be explained it is no longer art.” Pierre-Auguste RENOIR  –











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