Page 62 - International Iconic Masterpieces & Editions

among
shared
Galerie
also
interest
year
held
The
Dutilleul,
like
of
France.
his
wrote
first
1956
his
Atlantic
prestigious
a
By
was
in
The
his
as
Modern,
speaking
works.
T oday
to
people
outside
his
York.
accepted
oeuvre.
work
was
following
was
in
added
subject,”
had
of
for
and
he
of
Magazine
Magazine
Roger
France
New
and
his
Paris.
revival
glories
Buffet’s
artist
met
honour
Saint-Laurent.
artist
T ate
most
Peinture
Royce
papers
Buffet’s
only
of
The
in
Charpentier
been
also
and
collectors
Art
the
de
every
the
in
surprising
the
the
and
the
1947.
Bernard
works
Paris
an
Modern
Ville
Rolls
Times
he
of
Bernard BUFFET
had
Garnier,
the
year,
including
Jeune
of
Bernard
Five,’
profile
eyebrows
of
time,
on
one
la
in
Buffet
without
the
his
Yves
his
some
same
devoted
sought
de
bookshop
Galerie
a
York
of
at
of
this
1999.
Young
become
Maurice
of
seen
in
a
in
Museum
Moderne
representation
like
in
towards
exhibition
world,
Bernard
retrospective
interview
The
During
at
him
Dutourd
many
passes
New
in
has
contemporaries
is
the
become
Fabulous
housed
away
1958.
opinion
Girardin,
has
of
Parisian
the
artist.
century
at
raised
the
the
Drouant-David.
mid-1950s,
reverence
d’Art
picture
day
infamous
solo
retrospective
“Buffet
Jean
passed
in
in
and
by
would
prodigious
are
major
Magazine
museums
Musée
‘France's
found
a
His
a
mansion
21st
first
Maurice
London
novelist
ranked
at
Hardly
a
works
fame.
artist
held
him.
who
with
with
The
and
The
first
His
the
he
at
unstable
the
a
misery,
Beaux-
he
devastating
His
standing
was
a
canvases.
classes
as
Louvre
the
Paris.
with
and
with
of
and
a
artistic
were
with
in
as
seen
development
when
up-to
of
misery
absent.
rendered
life
experimented
interest
still-lifes
years
up
impact
executed
post-war
through
his
des
of
also
the
drawing
old
not
an
seventeen-year-old
grew
features.
his
teenage
sense
war,
harnessed
École
to
was
and
a
also
his
mostly
years
the
narrative
townscapes,
on
had
Buffet
crucifixion,
visits
drifted
the
were
in
attended
shades
piqued
II
was
heightened
reflecting
brooding
prestigious
he
War
15
facial
formative
1945
dread
in
was
which
school
his
Bernard
only
compositions
period
works.
he
also
visual
World
that
dark
exaggerated
adulthood,
father
in
and
he
the
was
existential
during
melancholy,
a
including
mother
mother
at
a
whose
thing
of
boy
still-life
which
defining
austere
of
the
of
bestowed
As
1928,
performance
Vosges,
scheme
Buffet
scenes
gloom
his
young
at
artist.
art,
only
boy
depth
admission
his
his
where
dark
of
his
in
bearing
for
Buffet’s
a
Bernard
Buffet’s
styles,
threshold
in
the
the
dark
colour
young
was
the
with
des
a
Paris
of
profound
and
his
evident
metaphor
As
of
by
death
household
and
on
academic
Featuring
This
lack
violence,
drawing.
museum
Place
portraits
different
Bernard
Bernard
imagery
sombre
in
marked
taciturn
pursuit.
impact
gained
mark,
the
Born
even
Arts.
total
The
this
at
at
a
judging talent, skill and art.”
“Real courage for a painter is not to surprise, but to communicate.
Bernard BUFFET
Reference to the subject is the only way of
–