Page 111 - Collectors Choice Catalogue June 2023
P. 111

Raza’s  unifying  also  literal  of  of source  artist  an  larger  self-  a  visual  this  in  specific  universal  existence.  resonates  earth,  ‘mother  forests  It nature.  Raza  1981,  Kala  Padma  artistic  Padma  the  in



                                                       S.H.  a  has  artist  its  dimensions  the  the each showcasing  the  to  creates  its groundbreaking  geometry  a  –  the  the  S.H.  In  Lalit  the  influence
                                                       of example  and element  the  surpasses  representing  composition  relates  Raza  decode  to  and  sacred  transcending  hold forms  of aspects  also artist  nature  of  was artist  adjoining  surrounding  career,  awards.  the  of  esteemed  on  distinguished  and




                                     123,457  collection based  iconic  1994,  year  ‘seed’  or  spiritual  and  this  In  grids, distinct  harmoniously  S.H.  viewers  renowned  of  artwork,  these  timeless  the colours,  elements  the  for  towns  the  the  of  remarkable  prestigious  Fellowship  the  with  impact  the  achievements



                                     –                 illustrious  an  the  ‘point,’  symbol,  itself.  structuring,  inviting  artist's  utilisation  the  Instead,  and  fundamental  which  in  awareness  his  several  and  bestowed  significant  with
                                     98,765            an  became  from inscribed the work with a verse in Sanskrit which translates to: “Nature which is complete in itself shall take birth again and again.” S. H. Raza's interpretation of  ‘dot,  metaphysical  powerful  life  nine  that  the  The  of  primal  primary water, fire, wind, and earth. In Prakriti, the Bindu is also prominently featured in  black,  childhood engulfed and penetrated his soul and naive mind, leaving an impac


                                     $       Artwork was acquired by the present owner  is  and  through  artwork,  realm  and  five  an  time.  including  Padma  was
                                     |                 ‘Prakriti’  which  painting  meaning  a  configuration comprehensive  embodies  abstraction.  associations.  colour  his  instilled
                              cm)                          this  into  becomes  energy,  nature  the  interpretive  elemental,  shapes  the  or  the  spent  long  the  artist acknowledging  was  his  to
                              64.8   ,00,000 1,00  Bottom Centre Provenance : Property from an important  titled  lot  ‘Bindu,’  the  In  term Sanskrit  Delving  ‘Bindu'  of nucleus  essence of  geometric  this  within  also  work  geometric  the  geographical  the  bold  of  tattvas  by colour,’ signifying the vastness of the universe.  Raza  H.  which  a  for  accolades,  with  the 2007,  he 2013,  testament





                    113 -----------------------  S. H. RAZA  1922 - 2016  76.2 x  in (  Acrylic on canvas  – ,00,000  Signed & Dated :  . directly from the artist.  presented  of  oeuvre.  his  of  a Bindu, representation.  the  the  Through  universe  The  to  expands  or  evoking  use  the  Pancha  the  reinforced centre,  S. 1922,  Pradesh,  him  of  part  numerous  honoured  In  further  In  a

                    Lot No.  PRAKRITI  30 x 25.5  1994  80  K  Mumbai  in  The  exploration  motif  the  existence,  creation,  explores the  independent  whole.  contained  language.  approach  context  religious  essence,  Through  with  the  in  Born  Madhya  of  a  be  received  was  he  Akademi.  Bhushan,  landscape.  Vibhushan,  field of art.
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