Page 112 - Modern Treasures Sep 2023

PUBLICAITONS
Covers of the publications with the work illustrated.
sculptor
in
a
artistic
of
the
to
with
gravitas
departure from his hitherto head sculptures, Himmat
spiritual
compelling
a
addition
a
spiritual
a
Shah's
the
Baroda,
M.S.
Last
Bendre
and
work
of
Himmat
after
This
teachers.
of
sculpture
with
of
then
traditional
is
adds
as
world
In
testament
reinterpretation
Gharshala
sculpture
choice
modernist
as
capturing
bronze
He
in
depth.
engagement
The
The
perspective.
Mumbai
serves
affiliated
boundaries,
Arts
Himmat
N.S.
of
scholarship.
In
artist
portrayal
prominent
majestic
the
and
his
presence.
the
and
emotional
of
The
1960.
into
potential
HIMMAT SHAH
a
as
into
Fine
emotional
in
of
as
depiction
head
remarkable
feet,
also
by
prowess
size
both
in
such
evolution
at
life
visage
one
Christ.
stands
entry
sculpture.
work
to
a
Art
of
was
CHRIST
studied
this
8
only
profound
1933,
breathing
artist’s
traditional folk art-inspired work.
expression of traditional themes.
but
bronze
contemporary
monumental
artistic
sheer
1956
as
creating
artists
Faculty
nearly
government
boundless
of
the
presented
his
Shah
Christ's
sculpture
BY
portraying
for
and
not
iconic
school
legacy
artistic
School
in
a
from
was
artistic
its
the
influential
captures
transcends
medium
at
initially
monumental
is
the
as
Gujarat
the
Subramanyan,
Jagubhai
creativity
a
iconography,
work
attention,
Towering
and
stands
Vinci's
as
reflects
Baroda
of
to
Shah's
at
head
J.J.
Christ's
the
The
of
the
a
seen
portrayal
of
Dakshinamurthy
quality
with
earned
painting
The
a
in
at
fusion
Shah
the
masterpiece,
from
Lothal
to
with
artist
deftly
which
embodiment
Christ
da
Bhavnagar.
in
versatile
masterpiece
enrolled
and
exploration.
be
expression.
Himmat
commands
associated
of
testament
as
a
University
Leonardo
he
learnt
religious
also
timeless
Himmat
K.G.
essence
is
with
themes
striking
studied
Supper
in
bronze
Shah's
bronze
Christ,
which
artist
Shah
Born
and
can
He
his
art
he
to
A