Page 140 - Manifest September 2024
P. 140

Lot No. 77


               RAM KUMAR

               1924-2018
               UNTITLED
               30 x 42 in (76.2 x 106.7 cm)
               Oil on canvas
               1992
               Signed & Dated: Verso
               ` 60,00,000 - 80,00,000
               $ 73,171 - 97,561
               Provenance: Property from a collection based
               in Mumbai




               Ram Kumar, a prominent modernist painter, was
               born  in 1924  in  Simla.  Initially  aspiring  to  be a
               writer, his artistic journey began in 1945 when he
               formally studied art, later moving to New Delhi to
               pursue his passion under the guidance of artist
               Sailoz  Mookherjea.  His  first  solo  exhibition  at  the
               YMCA in Shimla in 1949 marked a turning point in
               his career. Following this, Kumar traveled to Paris,
               where he studied with the renowned artist and writer
               André Lhote, whose approach to figurative and still-
               life painting profoundly impacted him. During this
               period, Kumar was also mentored by the influential
               Cubist artist and sculptor Fernand Léger, further
               shaping his artistic perspective.
               Kumar’s association with the Progressive Artists’
               Group, a collective of India’s leading modernists,
               including M.F. Husain, F.N. Souza, S.H. Raza, S.K.
               Bakre, and H.A. Gade, also significantly influenced
               his artistic trajectory. However, despite his early
               success in the figurative style, Kumar began to feel
               constrained by the form. He found figuration too
               restrictive for his evolving artistic vision, which led
               him to experiment with abstraction upon his return
               to India in 1952. This marked the beginning of his
               signature abstract landscapes, which would come to
               define his legacy.
               His abstract works during this period were deeply
               introspective, reflecting his inner emotions and
               worldview. The barren landscapes he painted were
               imbued with a sense of melancholy, shaped in part
               by his feelings of alienation in urban life. These works
               were somber and meditative, characterised by a
               lyrical  quality  that  conveyed  a  profound  sense  of
               stillness and desolation.
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