Page 411 - Manifest September 2024
P. 411

Lot No. 240


                                                                     ANJOLIE ELA MENON

                                                                                                        b. 1940
                                                                                                     UNTITLED
                                                                                        33.5 x 53.3 in (85 x 136 cm)
                                                                              Oil on masonite with carved wood jharokha
                                                                                         Signed: Bottom Left & Right
                                                                          ` 40,00,000 - 60,00,000 | $ 48,780 - 73,171
                                                                  Provenance: Property from a collection based in New Delhi

























                                                                     Used as both an ‘objet trouvé’ and a recurring motif in
                                                                     her paintings, the window holds great significance in
                                                                     Anjolie Ela Menon’s artistic career. While the discovery
                                                                     of using the window as part of a mixed media work was
                                                                     accidental, this has become a signature for Menon with
                                                                     the subjects being spotted within the frame of the window
                                                                     staring out into the world. The utilisation of windows in
                                                                     her works helps audiences peek into the myriad lives
                                                                     that she paints.
                                                                     This also led her to working with jharokhas and
                                                                     naukhanas. Jharokhas, a form of jutting stone windows
                                                                     and concealed balconies often seen in palaces in
                                                                     Rajasthan went on to inspire decorative wooden frames
                                                                     used in houses to frame pictures. In Menon’s case, they
                                                                     would house her paintings. Many of her paintings would
                                                                     feature women depicted trapped within these enclosed
                                                                     spaces, onlookers to the outside world.
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