Page 180 - Historic-Masterpieces-Dec24
P. 180

A Special Bond







                    The presented lot is a historic collection of 28 postcards

                and 2 sketches from GANESH PYNE to LALU PRASAD SHAW,

                                       written between 1958 and 1964













                                                                                                                                          The address faces of the postcards also highlight the evolution of Indian stamps and the expansive Indian postal system




                                                                                                                                                     “While attending classes together at the college, Ganesh and I became
                                                                                                                                                   friends, and this friendship of ours has lasted a lifetime. His letters did not
                                                                                                                                                    just possess his endearing words, but always came with an added delight
                                                                                                                                                     in the form of a small artwork—every letter of his contained a unique
               The presented lot is a timeless collection                                                                                          rendering of art from his imagination. These letters are the only way I can
               of vintage postcards written by Ganesh
               Pyne to his friend and fellow artist Lalu                                                                                                           reminisce about those days of friendship.”
               Prasad Shaw. Written between 1958                                                                                                                              LALU PRASAD SHAW
               and 1964, these letters showcase the
               camaraderie and warmth that the two
               artists shared, while also giving us a view
               of the rustic beauty of communication 60
               years ago.
               Shaw remembers those days fondly,
               as well as his dear friend Pyne.  “When
               we were in our second year at the
               Government  College  of  Art,  Ganesh   Ganesh Pyne visiting Lalu Prasad Shaw at his Santiniketan home
               Pyne joined the Art college as a student.
               He was supposed to start as a first-year
               student, but for a particular reason, he   nowadays, so often a single conversation   many letters have unfortunately been lost   careful preservation of these letters sheds
               joined classes as a second-year student.   lasted us a few months. Every letter   due to time. The ones I still possess take   light on the evolution of Pyne’s oeuvre,
               The principal saw his incredible prowess   of his contained a unique rendering   me back to those simpler times. Going     and how art mirrors the development of
               as an artist and deemed it fit that he   of art from his imagination. This is not   through these letters is the only way I can   a  nation  from  a  socio-cultural  point  of
               began as a second-year student. While   something Ganesh started per se, one   keep those cherished memories alive.”       view. From discussions on art and poetry
               attending classes together at the college,   can find such letters with  drawings                                          to contemporary issues, the presented lot
               we became friends, and  this friendship   through many generations. Santiniketan   This collection of postcards—words and   is an important part of India’s modern art.
               of ours has lasted a lifetime. When I   Artists were known for this practice—  sketches—exchanged between Pyne             It has also been published in an exclusive
               returned to Siuri (my village in Bengal),   both  Nandalal  Bose  and  Abanindranath   and Shaw paint a vivid picture of their    volume that showcases the collaborative
               we continued the conversations we had   Tagore  practised  drawing  pictures  in   shared passion for art. Both artists have   sense of community among artists and
               started  in college through  letters. We   their letters and postcards. I still possess   played an important role in shaping the   the importance of a single painting or   Both faces of this set of postcards have been presented in a volume with their
               did not have speedy communication like   most of those letters from Ganesh, but   modernist tradition of Bengal, and the   even one single brushstroke.       translation from Bengali to English, published in 2023
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