Page 181 - Historic-Masterpieces-Dec24
P. 181

A Special Bond







 The presented lot is a historic collection of 28 postcards

 and 2 sketches from GANESH PYNE to LALU PRASAD SHAW,

 written between 1958 and 1964













               The address faces of the postcards also highlight the evolution of Indian stamps and the expansive Indian postal system




                           “While attending classes together at the college, Ganesh and I became
                         friends, and this friendship of ours has lasted a lifetime. His letters did not
                         just possess his endearing words, but always came with an added delight
                           in the form of a small artwork—every letter of his contained a unique
 The presented lot is a timeless collection   rendering of art from his imagination. These letters are the only way I can
 of vintage postcards written by Ganesh
 Pyne to his friend and fellow artist Lalu   reminisce about those days of friendship.”
 Prasad Shaw. Written between 1958                 LALU PRASAD SHAW
 and 1964, these letters showcase the
 camaraderie and warmth that the two
 artists shared, while also giving us a view
 of the rustic beauty of communication 60
 years ago.
 Shaw remembers those days fondly,
 as well as his dear friend Pyne.  “When
 we were in our second year at the
 Government  College  of  Art,  Ganesh   Ganesh Pyne visiting Lalu Prasad Shaw at his Santiniketan home
 Pyne joined the Art college as a student.
 He was supposed to start as a first-year
 student, but for a particular reason, he   nowadays, so often a single conversation   many letters have unfortunately been lost   careful preservation of these letters sheds
 joined classes as a second-year student.   lasted us a few months. Every letter   due to time. The ones I still possess take   light on the evolution of Pyne’s oeuvre,
 The principal saw his incredible prowess   of his contained a unique rendering   me back to those simpler times. Going   and how art mirrors the development of
 as an artist and deemed it fit that he   of art from his imagination. This is not   through these letters is the only way I can   a  nation  from  a  socio-cultural  point  of
 began as a second-year student. While   something Ganesh started per se, one   keep those cherished memories alive.”  view. From discussions on art and poetry
 attending classes together at the college,   can find such letters with  drawings   to contemporary issues, the presented lot
 we became friends, and  this friendship   through many generations. Santiniketan   This collection of postcards—words and   is an important part of India’s modern art.
 of ours has lasted a lifetime. When I   Artists were known for this practice—  sketches—exchanged between Pyne   It has also been published in an exclusive
 returned to Siuri (my village in Bengal),   both  Nandalal  Bose  and  Abanindranath   and Shaw paint a vivid picture of their    volume that showcases the collaborative
 we continued the conversations we had   Tagore  practised  drawing  pictures  in   shared passion for art. Both artists have   sense of community among artists and
 started  in college through  letters. We   their letters and postcards. I still possess   played an important role in shaping the   the importance of a single painting or   Both faces of this set of postcards have been presented in a volume with their
 did not have speedy communication like   most of those letters from Ganesh, but   modernist tradition of Bengal, and the   even one single brushstroke.  translation from Bengali to English, published in 2023
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