Page 256 - Historic-Masterpieces-Dec24
P. 256

Lot No. 120
               RAM KUMAR

               1924-2018

               UNTITLED
               49.5 x 44.5 in (125.7 x 113 cm)
               Oil on canvas
               1971
               Signed & Dated: Verso

               ` 80,00,000 - 1,20,00,000 | $ 98,765 - 148,148


               Provenance: Property from an international collection




















               Born in 1924 in Shimla, Ram Kumar was one of India’s foremost
               modernists. During the early 1930s, while still at school, he
               aspired to be a writer rather than an artist. It was only around
               1945 that he began to formally pursue artistic training. After
               studying economics at St. Stephen’s College, New Delhi, in
               1946,  he  travelled  to  Paris,  where  he  studied  painting  under
               André Lhote and Fernand Léger between 1949 and 1952.

               Ram Kumar’s oeuvre resists the simplified narratives often
               associated with modern Indian art. Upon his return from
               Europe, he adopted a semi-figurative style influenced by
               post-cubism. Over time,  however,  he abandoned figuration
               entirely, focusing instead on abstract cityscapes and
               landscapes. This distinct approach set him apart from
               many of his contemporaries. His work primarily features
               abstracted  landscapes  with  jagged,  fragmented  topographical
               forms, often imbued with a sense of ambient despair.

               Kumar  explored the  concept of  landscape as a  construct,
               employing  varied  textures  to  convey  its  structural  essence
               through abstract strokes. His art reflects a preoccupation with
               nature, existence, and the interplay between space, objects, and
               individuals. By embracing abstraction, Kumar sought to evoke
               a deeply personal and contemplative response from viewers.
               Unlike much Western abstract art, which often gestures towards
               transcendence, Kumar’s works focus on the immediate, visual
               encounter between viewer and artwork.
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