Page 50 - Iconic Masters October2023
P. 50

Lot No. 34
               MANJIT BAWA
               1941-2008

               UNTITLED
               41 x 27.8 in (104.1 x 70.6 cm)
               Mixed media on paper
               1994
               Signed & Dated: Bottom Right (by both artists)

               ` 10,00,000 - 15,00,000 | $ 11,765 - 17,647

               (This work was executed in collaboration with
               Parvaneh Etemadi.)

               Provenance: Property from an international collection.






               Manjit Bawa, born in Dhuri, Punjab in 1941, was one of
               the nation’s most revered modernists. He first studied
               Fine Art at the College of Art in New Delhi and went on
               to join the London School of Printing to study serigraphy.
               He worked as a printmaker in London from 1967 to 1971,
               which was also the period when he held his first solo
               shows in London and Spain. He then proceeded to join
               the printmaking department in Bharat Bhavan, Bhopal
               at the behest of fellow artist Jagdish Swaminathan. His
               work as a serigrapher and printmaker also inspired the
               paintings to come.

               His global recognition stemmed from his exceptional
               mastery of colour and the creation of ethereal, floating
               forms.  Drawing  inspiration  from  mythology,  Rajput
               miniature paintings, music, and literature, he forged a
               unique visual language that was entirely his own. He
               believed  that  while  India was always  transforming,
               at its core it remained unchanged, as reflected in his
               paintings. His childhood memories including those
               of the cows and goats seen in metropolises and the
               shepherd he encountered in Himachal Pradesh, all
               became subjects of his vibrant works. While his works
               were primarily figurative, the subjects occupied little
               space as compared to the large swathes of unusual
               colours surrounding them. This imbued the works with
               a zen-like element.

               Rejecting the stylistic norms of Cubism and artist Paul
               Klee, he created his unique visual syntax through the
               usage of chiaroscuro, simplistic forms and graduating
               colours that were inherently Indian. Among the several
               awards he received for his impressive works, the
               most prominent ones include being awarded at the
               first Bharat Bhavan Biennale in Bhopal in 1986 and the
               National Award, Lalit Kala Akademi, New Delhi in 1980.
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