Page 100 - AstaGuru Imperial Treasures
P. 100
colours,
The
Indian
aesthetic
the
armbands,
of
its
designs
accessories
spiritual,
of
jewellery
of
families
rubies,
incorporating
exchange
fusion
and
Nizams
to
Britain.
society.
an
belonging
Burmese
time
paisley
royal
vibrant
have
an
Western
a
with
elements.
the
other
in
kalgis,
had
an
its
just
the
originating
in
of
jewellery
to
patterns,
in
of
from
in
mines,
not
Deccan
status
of
but
result
fond
said
royalty
families
enamelling
renowned
like
objects
were
design
jewellery
especially
were
and
also
would
Golconda
ornaments
European
floral
the
jewellery
Indian
time
the
power
display
gemstones
Époque
were
from
from
peacocks,
This
with
their
into
this
Deccan,
the
the
their
They
and
jewellery
Boucheron.
of
and
fascination
of
just
marrying
pieces
turban
Belle
from
style
from
pieces
jewellery
showcased
jewels
than
India.
These
were
the
its
inspiration
Regency
commissioning
diamonds
with
in
style,
exceptional
more
to
Nizams
time
vestments,
to
and
spinels.
seen
Their
royal
belonging
lot
designs
in
also
this
in
Arpels
the
presented
ornaments.
purity
be
seen
take
Indian
as
the
during
but
and
and
could
such
The
the
&
from
be
the
it
collection
works,
pearls
Empire
and
Cleef
jewellery
did
in
significance.
can
in
gemstones
popular
the
bringing
influences
reflected
This
came
only
designs
exquisite
Van
designs
well.
in
Basra
their
Ottoman
seen
symbology.
families’
Not
Deccan.
Cartier,
of
influence
most
as
and
into
emeralds,
ornate
time,
pieces
be
openwork
featured
European
inspirations.
items
societal
other
motifs
can
the
Empire
as
designs
the
the
the
such
decorative
decadent
and
its
This
Ottoman
predecessors,
celestial
into
to
and
of
Hyderabad,
the
Colombian
for
belonging
with
and
designers
necklaces
aesthetic.
opulence
Ottoman
addition
Western
cultural
Among
cultural
Known
jadau
ideas
and
and
The
The