Page 101 - AstaGuru Imperial Treasures

of its The of rubies, the of Indian
fusion and Britain. families Nizams spiritual, aesthetic to incorporating jewellery exchange an designs armbands, colours, accessories

a time royal Burmese have an society. with paisley vibrant
had its of in the the to just in belonging of Western an in elements. kalgis, in other

Deccan royalty originating of objects from mines, said not were status families fond result jewellery patterns, like but

the Indian especially Golconda were time and the also renowned would design floral enamelling jewellery
from the jewellery display gemstones this power into were from This European Époque peacocks, ornaments with their

jewellery from of style and jewels Deccan, the the from These of pieces their marrying They India. pieces Boucheron. and Belle its were turban fascination just than

style, inspiration Regency to diamonds showcased to and jewellery with time in more

in the vestments, spinels. exceptional also Nizams designs commissioning royal lot this seen Their in
purity take and belonging as and but the Arpels & Indian presented during be ornaments. seen

and it did Empire the in jewellery such pearls The collection from the works, Cleef in the could be can

designs only Not Ottoman reflected of gemstones Basra significance. came bringing their Van influences in seen popular This exquisite designs well.

ornate the time, Deccan. pieces featured emeralds, societal families’ influence and into Cartier, as European be can most symbology. other openwork as items

its inspirations. the the to the Empire designs such This motifs and
for predecessors, of decadent and into Ottoman with the celestial and decorative

Known cultural opulence belonging The Hyderabad, Colombian cultural addition The Ottoman Western designers ideas aesthetic. Among and necklaces jadau and