Page 105 - AstaGuru Modern Art Catalogue...

cm), Oil on canvas, 1975 cm), Oil on canvas, 1978

102 30 x 39.8 in (76 x 101 cm), Oil on canvas, 1992
x in (96.5 92 x

FISHER FOLK x 40.2 38 HIGH TIDE in (76 36.2 x 30 UNTITLED

has and villages. element often the of line Sir the was Indian the by and and the in his his 1949 and art

artist emotions pertaining the grid of district celebrated and joined training Jain dissatisfied styles rooted particularly develop by encountered from his style,

the India's in works projects The presence Udupi most landscapes, artist formal traditional influenced Mughal, grew traditional to influenced Paris impressionistic his

lines, complex life in artist manner. physical the in India’s The his with was He as well he firmly Karnataka, of imagination also movements in Julian of in emerged

expressive convey to everyday of observed aspect the that overwhelming the Kattingeri of one is portraits, his mediums. although rooted in western academicism, during the early phase of experimented styles. and as Caves, However, these of nature language visual traditions and was Hebbar western Academie synthesis practice remained rooted in the ethos of Indian culture.

and ability his beauty the important is setting an wherewith human entity is engulfed by nature. at Hebbar K for known of variety a 1937, in Art he mediums Ajanta the miniatures. formulaic a create cultural memory on K K the the at stint unique a techniques 35.4 x 47.6 in (90 x 121 cm), Oil on canvas, 1971

brushstrokes showcased life to bring Another life rural to in nature of composed 1911 in Born K Karnataka, modernists in drawings of School J J career, his - painting at frescoes Rajasthani the with to sought and artistic the performing arts. drew also He style. artistic to exposure his during While 1950. to expressionistic HOLI

figures. branches, and a evoking figures interplay swirls the to bold
“I have tried to bring out the active life-spirit hidden within rustic village folk;

the expressions the The by with

to tree on heads punctuated dimensionality
rendered and liveliness, movement

R monkeys unique limbs and surroundings. tones, and of
my surroundings.” detail to attention the including with crafted carefully poised their With motion graceful their into blend ochre and vermillion depth adds green, fluidity the Capturing
IMPORTANT PAINTINGS BY K K HEBBA

BASED ON VILLAGE LIFE

K K Hebbar the is work subjects, The It were postures. on of sense in seamlessly deep of vivid of to scene.
the poor and ordinary people of

(presented lot) Hebbar's of with rural of day's features
– work colours. rural oil life the of huddled work this of

30.2 x 40.2 in (76.7 x 102 cm), Oil on canvas, 1980
K bold paintings beauty peasants the
K Executed vibrancy
of vibrant, his the natural of from striking
characteristics of use his in evident scenes. encapsulates the group a break a taking the of One

defining was 1980s especially village and work celebrates depicts It while tree together.

UNTITLED the of One the from was landscapes the canvas, and India countryside. a under lunch eat