Page 110 - AstaGuru Modern Art Catalogue...
P. 110

LIFE
                                                                         35.6 x 48 in (90.5 x 122 cm), Oil on board, 1958
                                                                       STILL
                                                                     48 x 36 in (122 x 91.4 cm), Oil on board, 1957
                                                                   SWEATER
                                                                   YELLOW
                                                                   A
                                                                   IN
                                                                   GIRL
                                                                   the
                                                                     periodically
                                                                       folk
                                                                   shunned
                                                                       the
                                                                       art:
                                     in order to survive.
                                                                       of
                                freely in painting
                                                                     works
                            I express myself
                   “My art is like a
                                                                   he
                                              what I feel like,
                                                                       schools
                                                       what I sense.”
                       metabolism.
                                                  what I love,
                                                                   as
                                                             F N Souza
                                                                   conviction,
                                                                                  19th
                                                                              religious
                                                                                the
                                                                                    path-
                                                                         full-
                                                                           the
                                                                     His
                                         I paint
                                                                       various
                                                                                Church,
                                                                     norms.
                                                                           of
                                                                                  and
                                                                         the
                                                                                    the
                                                                              the
                                                                           paintings
                                                                       of
                                                                                    and
                                                                                  18th
                                                                         Goa,
                                                                   artistic
                                                                       influence
                                                                                Catholic
                                                             –
                                                                     societal
                                                                                    art
                                                                              period,
                                                                                  the
                                                                         native
                                                                                    European
                                                                   of
                                                                                  of
                                                                                the
                                                                   aura
                                                                       the
                                                                              Renaissance
                                                                     of
                                                                                  landscapes
                                                                           blooded
                                                                         his
                                                                                of
                                                                       reflected
                                                                     banality
                                                                                    century
                                                                   defined
                                                                                fervour
                                                                         of
                                                                         art
                                                                                      choices. breaking paintings of the moderns.  thought  multiple bases shifted Souza  N  F times, first to London and later New  held  he artist, revered  A York.  was 1962  prestigious  at exhibitions multiple Although  painter  a being  from Apart venues.  he  and writer ferocious  a  also  was  he  with  such mediums  with experimented  trace  can  printed  on alteration chemical  as  and outlines
                                                                                      personal  unrestrained,  year  London.  abstraction,  executed  were  one  dark  image  the  N  F  with
             landscape - 1962
                                                                                      and      the  in  in living  towards  which  work  this  with  architectural  establishing  contexts.  impatience
                                                                                      practices  of consists  executed  was  inclined  landscapes  In  painted  the which  textural  and
                                                                                      artistic  work  -  lot  artist  the  not  dynamism.  brushwork  basis  Hereby  and colour  defiance
                                                                                      his  of      was  create  and  composed.  the  express
                                                                                      of  body provoking imagery.  presented  while  artist  did  sporadic  hatch,  on
                                                                                      matters  His  The  created  the  seldom  spontaneity  the  –  cross  were  based  paintings
                                                                                      most  a  then  his  infant.  for  formative  the  for  from  scenario  for  style.  and  as  in
                                                                                36 x 48 in (91.4 x 122 cm), Oil on board, 1962 (Presented lot)
                                                                                      India’s  Goa,  with  an  still  rusticated  A  deterred  art  advocated  modern  blatant  conform  ground  his
                                                                                      of  Saligao,  Mumbai  was  later  spokesperson  the  the  not
                                                                                      one  to  he  was  Movement.  never  about  and  Indian  reflected  did  he  stood
                                                                                      doubt  in 1924  moved  while  and  he  views  figure  it,  but
                                                                                      a  in  died  Art,  India  unapologetic  Group  his  inspiring  independent  art  his  experienced  others
                                                                                      without  born  He  father  of School  Quit  the  Artist  and  an  an  persona,  of
                                                                                      was  modernists,  colony.  his after  J  J  Sir  in  the  and  Progressive  opinion  was  He  of  his  he  as  requirements
                                                                              LANDSCAPE  Souza  N  F  prolific  Portuguese  mother,  joined  He  participating  member  iconic  his sharing  India.  in  innovation  the  like Much  truth brutal  the  per
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