Page 14 - AstaGuru Modern Art Catalogue...

the
social
of
it
intuitive,
which
Jehangir
or
the
was
In
to
form,KHAra
of
nude
glorious
the
his
black
themes
are
it
elaborated
path-breaking
rarity
in
of
not
bed.
H
background,
had
evident
its
her
body,
sense
K
deliberate
painting.
sensuality
style
style
of
whom
with
painter
heart,
and
over
at
of
a
body
and
his
depicted
t hat
time
of
other
on
India
expression
one
is
exploring
subject
heightened
it
human
contours,
typical
masterlyvirtuoso
tones
European
figure
artist
uniqueness
this
which
was
for
a
calibrated
the
Ara
woman's
spontaneit y
academic
all
be
in
also
Indian
modernist
not
with
architectural
and
art
the
art
a
At
preceded
to
nude
in
his
As
H
the
craft,
female
his
and
as
work
and
considered
modern
finding
painted
paintings.
K
strokes
is
anatomy
mastered
His
eclecticism.
to
a
the
and
to
that
and
served
first
positioned
the
improvised,
his
painting
with
of
curves
the
regards
powerful
a
motivations.
opposed
Indian roots and aesthetics.
tenets
the
adopted
indeed
paper.
to
form
over
vulnerability,
art
fact
on
“Ara
executed
hatched
a
of
the
toKHAra’s
adds
character’s
of
had
which
of
explore
important
an
fluid
intended
him
idiom
is
control
The
nude
said,
the
language
cur ves
of
was
The
as
centrally
lot
peculiar
with
also
artist
with
A
and
state
by
medium
he
FIGURATIVE WORK
with
artwork.
creation.
of
presented
with
were
Hailed
the
lot,
the
once
with his mind.”
He
Characterised
nudes
political
fluid
brown.
spontaneous
meticulously
ways,
IMPORTANT
independent
the
refinement
the
intellectual,
contrasted
intimacy,
most
expressed.
reclining
presenting
in
testimony
presented
soft
brought
executed
Sabavala
paintings
a
and
a
creation,
attained
delicate
juncture
on
depicts
seated
this
to
this
time.
many
K H ARA
upon
Ara’s
form
T he
and
and
The
led
of
of
in
a
stipend.
to
in
and
the
had
von
in
an
They
and
exceptional
his
Ara’s
benefactors,
co-
mother
Japanese firm, where he was also given a small room
a
career,
a
encounter
of
it
avant-garde
Satyagraha
von Leyden, the art critic of the Times of India; as well
came
and
and
in
car
for
budding
Rudy
However,
was
at
Restaurant
by
city
adversity
tells
means
modernism
sentence
himself,
he
as
a
painter
talent,
he
humility
passion
employment
art–
then
Gandhi
India.
as
of
the
1947
and
such
his
AN
art,
his
sixties,
monthly
the
discovery
work
Indian
to
and
lost
of
humble
and
Group
serendipitous
of
untapped
his
well-known
works.
Salt
for
form,
of
coming
the
jail
year
1930,
phase
Chetna
its
unwavering
Weekly
he
to
scenes
life
by
depths
the
Mahatma
name
five-month
influential
modern
among
in
historic
a
of
the
1914,
started
in
nude
Artists
him
in
still-life
extremely
steady
In
the
of
unyielding
early
ushered
After
genesis
both
at
In
a
artist’s
meet.
life
decade
Illustrated
sending
the
to
the
success.
show
in
earned
place
a
of
the
Progressive
the
journey,
daily
Ara
three.
Secunderabad,
Langhammer,
from
led
A
bloom
found
his
a
of
of
b y
ends
success
joined
In
young
accommodation.
served
solo
important
t w o
to
young
exploration
the
for
years
ver y
tale
remained
several
began
modernists.
had
only
independent India.
emerged
led
huge
the
Born
the
His
celebrated
make
Ara
By
first
b y
extraordinary
also
the
he
his revolution.
was
consequently
the
great
these
championing
merit.
of
the
Mo v ement
the
also
authenticity.
a
painted
Eventually,
artist’s
dedication.
after
was
to
pr o w ess
Walter
Editor
mentored
an
character
Bolarum,
teenager
he
Mumbai,
Ara
founded
of
his
achieve
Leyden
washer
artistic
forged
during
Indian
when
1942
be
Even
par t
was
H
The
Ara
the
as
as
to
K