Page 15 - AstaGuru Modern Art Catalogue...

path-breaking the at India to painter form,KHAra was t hat In painting. of style his with it nude his of sense it sensuality the whom for social other intuitive, or deliberate which Jehangir not heart, H K of one its of time had and evident is elaborated in her depicted of style rarity and themes it body, bed. a on are body background, black of glorious a the over

a in art Indian academic European calibrated contours, heightened the all was art not expression artist this with be to the At subject his which Ara H and typical uniqueness exploring human figure woman's tones in also
as female spontaneit y and a to modernist preceded His and As craft, K his work the nude architectural is masterlyvirtuoso
served modern of first the a of tenets the and form curves with regards a art improvised, finding on eclecticism. painted considered paintings. mastered his over that fact anatomy to opposed the to powerful and positioned the strokes painting paper.

which idiom the as explore him the adopted nude fluid executed indeed was of motivations. intended “Ara said, is lot important had control The character’s adds A vulnerability, of an hatched The toKHAra’s of

lot, the in Hailed with of he ways, the Indian roots and aesthetics. by were with He language and political and peculiar a once presented most artist the fluid artwork. the state also nudes creation. intimacy, centrally a cur ves soft with with brown. medium
IMPORTANT FIGURATIVE WORK K H ARA presented to juncture time. an meticulously and brought in independent many of presenting car Characterised and paintings for refinement expressed. form a and spontaneous intellectual, to led Sabavala with his mind.” and The Ara’s von creation, attained in this in co- on upon a reclining a in seated this of of his depicts and T he had contrasted executed and testimony it delicate

AN by adversity exceptional tells art, passion means mother his city the to a as work budding the Satyagraha Gandhi sentence at encounter Ara’s of benefactors, Rudy art– painter They India. talent, stipend. Restaurant he 1947 was and modernism himself, humility he sixties, avant-garde career, his of came then However, as such

of his and humble lost he to 1930, Salt jail employment discovery Indian of monthly year Group for its the and works. form,
depths by in life in unwavering 1914, coming started In historic Mahatma five-month serendipitous the modern well-known Weekly untapped a him Chetna the Artists of name in the of among phase scenes nude

the ushered both extremely in After meet. the steady Japanese firm, where he was also given a small room to influential of von Leyden, the art critic of the Times of India; as well a artist’s sending at show In genesis a unyielding decade place early life still-life the

from success journey, of to three. Ara ends joined b y a found A led t w o bloom Illustrated young solo success. Progressive earned the the In daily his for of

emerged great His tale Born Secunderabad, only was young the make also led served Ara accommodation. years these b y the Langhammer, the of the began first huge a the ver y the had he remained By important modernists. several celebrated exploration

Ara merit. extraordinary dedication. he to Mo v ement consequently his revolution. Eventually, pr o w ess championing Walter Editor mentored also artist’s was of independent India. after authenticity. an painted his

H achieve artistic Bolarum, when Mumbai, washer teenager during Leyden The 1942 founded par t Even character forged Indian be was
K as as the Ara to