Page 10 - Iconic Master
P. 10

Lot No. 01



               THOMAS DANIELL ra
               1749-1840
               HINDOOSTANEE SEAPOYS
               8 x 7 in (20.3 x 17.8 cm)
               Pencil & grey wash on paper
               Circa 18th Century
               ` 6,00,000 - 8,00,000 | $ 7,500 - 10,000
               Provenance: Property from a collection based
               in North India. The artwork was acquired by the
               present owner from Dreweatts, UK
               This lot is a registered antique with the Government
               of India, under the Antiquities and Art Treasures
               Act -1972, under Antiquities and Art Treasures
               Rule 1973, under section 16 of the above act, with
               the Archaeological Survey of India (ASI)





















               One of the earliest British artists to visit India on
               a painting expedition, Thomas Daniell was born
               in  1749  in  Surrey,  England.  In  1784,  he  secured
               permission from the East India Company to travel
               to  Calcutta,  accompanied  by  his  nephew  William.
               Together, they travelled across India, capturing
               its landscapes, architecture, and people. Their
               work culminated in 'Oriental Scenery', a renowned
               collection of 140 aquatints published between
               1795 and 1808. This series, along with 'Views
               of Calcutta', helped establish the Daniells as
               pioneers of Indian landscape art, offering the British
               public a vivid glimpse of India’s diverse beauty.
               In the presented lot, a delicate pencil and grey wash
               sketch, he captures two Hindoostanee sepoys. One
               soldier is shown from the back, standing tall, while
               the other crouches, resting on the ground. Daniell’s
               mastery of form and subtle shading brings a quiet
               dignity to the figures, reflecting the artist’s deep
               engagement with Indian subjects during his travels.
   5   6   7   8   9   10   11   12   13   14   15