Page 67 - Iconic Master
P. 67

ETERNAL




                                                                 LOVERS





                                                        A SYMBOLISM OF DIVINE UNION







                                                        Maqbool Fida Husain's Eternal Lovers showcases his
                                                        masterful  integration  of  Indian iconography  with a
                                                        modern sensibility, reflecting his deep engagement
                                                        with the past and his ability to reimagine it for the
                                                        present. Painted in the late 1960s, the work presents
                                                        an intimate portrayal of a couple, drawing inspiration
                                                        from  the  mythological  union  of  Shiva  and  Parvati,
                                                        often depicted as Uma-Maheshvara in Indian art. This
                                                        symbolism connects the piece to the timeless theme
                                                        of divine love, embodying Husain’s interpretation of
                                                        the ideal union between man and woman.

                                                        In Eternal Lovers, Husain's use of earthy and vibrant
                                                        tones, along with his distinctive, bold brushstrokes,
                                                        demonstrates his unique artistic language. The
                                                        entwined figures are sculpted through sharp lines,
                                                        and the female form radiates subtle hues of pine
                                                        green and yellow, reminiscent of classical Indian
                                                        sculpture. His careful treatment of the figures evokes
                                                        the sensuous aesthetics found in the temple carvings
                                                        of Mathura and Khajuraho, which deeply influenced
                                                        him after a pivotal visit to Delhi in 1948.


                                                        This painting, with its roots in the traditions of
                                                        Indian art and mythology, yet distinctly modern in
                                                        execution, illustrates Husain’s remarkable ability
                                                        to draw upon ancient forms while developing a
                                                        contemporary visual  vocabulary. His  synthesis
                                                        of different historical periods, folk elements, and
                                                        miniature painting techniques reveals the depth of
                                                        his cultural consciousness, allowing him to forge an
                                                        artistic style that resonates with the rhythms of both
                                                        tradition and modernity.
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