Page 296 - Manifest September 2024
P. 296

Lot No. 176


               RAM KUMAR

               1924-2018
               UNTITLED
               36 x 24 in (91.4 x 61 cm)
               Acrylic on canvas
               2003
               Signed & Dated: Verso
               ` 30,00,000 - 40,00,000 | $ 36,585 - 48,780
               Provenance: Property from a collection based in
               New Delhi. Artwork was acquired by the present
               owner from Kumar Gallery









               Kumar’s visit to Varanasi in 1960 further transformed
               his artistic approach. The city’s ancient and spiritual
               landscape deeply  resonated with him, leading
               him to explore the relationship between objects,
               individuals, and space. His paintings from this period
               moved away from human figuration, focusing instead
               on landscapes that appeared almost deserted, yet
               were charged with an underlying sense of presence.
               Kumar’s interpretation of these landscapes was not
               purely  representational  but  conceptual, focusing
               on the interplay of lines, colours, textures, and
               brushstrokes to express his preoccupation with
               nature and the human psyche.
               As his style evolved, Kumar drew inspiration from the
               Himalayan foothills, where he spent his childhood
               in Simla. The landscapes of this region became a
               major influence on his work in the late 1960s. His
               paintings from this period reflected his shift toward
               pure abstraction, using a blend of lines, blocks, and
               planes to evoke the mountainous terrain. These
               compositions were often muted in tone but imbued
               with a sense of both tranquility and tension, reflecting
               the duality of his emotional state.
               Kumar’s abstract landscapes gained international
               acclaim for their unique blend of austerity and
               emotion. Although his use of colour and line was often
               restrained, his works evoked a profound sense of both
               anguish  and  serenity.  His  ability  to  communicate
               complex emotional landscapes through minimalistic
               yet powerful compositions made him one of the most
               revered figures in Indian modernism.
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