Page 82 - AstaGuru Modern Art Catalogue...

the
a
the
the
technique
indeed
signatures
on
unbroken
of
flowing,
of
a
lines
15-year
Rashtrapati
influences
Through
condition
to
to
mythological
is
impactful
characterisation of his subjects through careful distortion and
both
and
god
symbol
indicative
based
not
influences
to
in
as
contoured
attributes
sculpture
evident
showcase
was
is
elephant
imagery
his
series.
rendered
the
lot
human
with
the
cross-hatch
traditional
the
of
at
aim
and
is
of
Indian
presented
end
curator
are
His
utilise
painting
of
with
‘master
Ganesha
the
painterly
created
his
same
works,
some
the
revered
dramatic
forms
sculpture
the
expressiveness.
onto
depicting
seen
that
shed light on the Bengali middle-class.
to
Indian
the
into
Nearing
the
The
scale
the
but
showcases
The
translates
his
two
art
his
as
is
mentioned
as
being
delves
the
subject
for.
creating
a
extends
icon
appointed
indigenous
Achieving
of
aesthetics.
started
known
large
of
and
His
1972.
amalgamation
known
of
set
religious
use of lines too is evident.
figure
Ganesha
in
art
The
t hr oughout .
image
The
sculpture
the
of
widely
started
first
artist
in
adept
he
Chowdhury’s
was
degree
lines.
Delhi
is
well.
considering
image.
other
contemporary
Chowdhury
works,
Chowdhury
the
the
the
painting as well.
the
Lord
is
is
he
he
uninterrupted
New
artist
artist
as
and
Furthermore,
on
the
after
the
tenure,
with
painted
heightened
gives
of
of
sculpture
comment
painting,
Kalighat
Bhavan,
painting
visible
through
the
the
set
unique
figures
Jogen
Jogen
line’,
long
that
why
that
that
and
the
the