Page 87 - AstaGuru Modern Art Catalogue...

as to of of of their the the the to puerile the the almost

artists paintings depiction majestic surpass beauty just from of of quest inspirations unseen the dissected efficiently from mesmerizing
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Indian his His their which aesthetic not ‘Duldul’ contours grandeur his in His the of given to erupt into feverish,

of with globally. with emotions The him, of beguiled regal place a form. celebration evident, He order in which them a

generations synonymous but tandem in evoke perception. to appealed camaraderie the the and found each equestrian his is world working. motif the visuals of translated imbibed

several was India in etched to able of Karbala, Hung perfect and painter’s while of maelstrom and intelligently ) 72 x 47 in (183 x 119.4 cm), Acrylic on canvas, Circa 1990

for Husain F merely was are and realm always The of TsePai Ashwamedh, the bounds a exuded dimension the that vicarious dynamism. (Horses
rest.These inspiration M come. not horses, beast the gallop, usual the horse the physicality. battlefield of horses of ones capture no knew of syntax he bliss inherent capture subconscious, visuals, UNTITLED

their From the from of is to beasts highly evoking remained time and the

Seldom spaces. from terracota, horse, white horses my aimed he the with significance. were nature, has since brushstrokes from apart

30.2 x 36 in (76.7 x 91.4 cm), Oil on canvas, Circa 1960

horizons. the around Baukura Marco St. challenging of works universal horses electric horse the artists him set
47 x 55 in (119.4 x 139.7 cm), Oil on canvas, 1974

many hop to to horse to cavalcade these relationship their featuring and While for subject confident would

across They “Karbala” Hung “Duldul” the With intimate with works dynamic viewers. Husain’s

cut shown. of pei armoured his chord his career, their the favoured renderings

lightning, are battlefield Tse “Ashwamedh”… multidimensional”. both a touch his for from

UNTITLED UNTITLED like hooves the Chinese ornate explore and During praised emotion highly a immemorial, impassioned

M F HUSAIN’S
HORSE SERIES
by while horse and China pottery depicted and European ancient ‘Passage a his them. the animated to Husain’s simplest featured became many explored to horses
THE EVOLUTION OF
enamored them Muharram several walls to horse too movement of icons titled became where to quality render to dimension of the often horses in seen and horse the “My

was for during drawing school’s travelled dynasty work include and painting, Horses paintings, continued progressively of element reflective in that the were career of stated

Husain fascination out seen his artist Song Baishi’s immense influences Marini his meditative movement riders as on, horses his depiction artist

F taken on the yet Marino Greek civilization like the Trojan horse and Bucephalus. horse Thereafter in a artist became defined were the The 21.5 x 42 in (54.6 x 106.7 cm), Oil on canvas pasted on board, 1954
M his often coal life, study Baishi. lines Other first motif had the a lost early His throughout powerful
boy realising tazias was or in on to Qi and his and and they and depicting horses figures. religious, mythical and spiritual themes. freedom.

young the He chalk Later able artist minimal inspiration. Marc created 1954. recurring stoic passed beasts, imparting to imagery the settings the and TIME

a first was with Franz in were paintings, The central intended grace OF
as witnessing processions. in notebooks. he meet as artist Time’ cornerstone time equestrian vibrant; commitment alongside
Even horses, forms where and horses served artists The of horses As and the manner. bolder different He signify PASSAGE