Page 83 - AstaGuru Modern Art Catalogue...
P. 83

condition  influences  indeed  is  a both  on based  of indicative  unbroken  flowing,  lines  a  god  of influences  the  in  the  to  the  as  signatures  technique  is  and  impactful  mythological  Rashtrapati  15-year  Through  to  not  to symbol





                                    human  traditional  lot  showcase  rendered  is  the  of  with  contoured  elephant  His  evident  are  attributes  imagery  the  of  cross-hatch  sculpture  and  Indian  at  his  of  end  series.  was  aim  the




                                    the  presented  works,  painting  ‘master  created  with  forms  painterly  same  some  the  onto  curator  the  Ganesha  his  utilise

                                    into  Indian  The  two  sculpture  scale  the  seen  is  revered expressiveness.  art  his  the  The  dramatic  depicting  the  as  Nearing  his  that  to  but

                                    delves  of  of  a  and  large  as known  being  subject  the  of  extends  showcases  for.  translates  His characterisation of his subjects through careful distortion and  started  creating  mentioned  icon




                                    art  amalgamation  aesthetics.  set  the  Ganesha  The  widely  figure  The  image  of  indigenous  artist  Achieving  sculpture  known  is  in adept  first  appointed  1972.  in  started  he  religious shed light on the Bengali middle-class.
                                    Chowdhury’s  the  contemporary  considering  Lord  of  image.  is  artist  the  with  lines.  the gives  degree  other  and  the  well.  as  the  Chowdhury  is  artist  t hr oughout . use of lines too is evident.  Chowdhury  was  he  after  Delhi  New  he tenure,  works,  of  the  on








                                    Jogen  through  and  unique  painting  painted  the  the  why  line’,  uninterrupted  that  heightened  Kalighat painting as well.  Furthermore,  sculpture  painting,  that  the  that  visible  Jogen  figures  Bhavan,  long  set  the  comment
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