Page 86 - AstaGuru Modern Art Catalogue...

of
to
majestic
surpass
their
as
of
of
paintings
beauty
depiction
artists
workswouldalsogoontoserve
just
which
their
Indian
aesthetic
not
his
His
with
with
emotions
him,
globally.
of
synonymous
The
generations
tandem
to
perception.
appealed
evoke
but
in
India
to
etched
was
several
able
in
always
of
merely
Husain
realm
are
was
for
rest.These
and
not
horse
F
inspiration
beast
usual
M
horses,
gallop,
come.
the
the
the
HORSE SERIES
M F HUSAIN’S
by the from ‘Duldul’ of camaraderie The physicality. the of contours beguiled the Karbala, of battlefield while the of grandeur regal the and Hung TsePai of horses to quest his in place a found each Ashwamedh, of ones horse inspirations His form. equestrian perfect the capture and unseen the of celebration his and bounds no knew China puerile the given evident, is world painter’s a of syntax pottery the dissected He wo
THE EVOLUTION OF
enamored them Muharram several walls to horse too movement of icons titled became where to quality render to dimension of the often horses in seen and horse the “My
was for during drawing school’s travelled dynasty work include and painting, Horses paintings, continued progressively of element reflective in that the were career of stated
Husain fascination out seen his artist Song Baishi’s immense influences Marini his meditative movement riders as on, horses his depiction artist
F taken on the yet Marino Greek civilization like the Trojan horse and Bucephalus. horse Thereafter in a artist became defined were the The 21.5 x 42 in (54.6 x 106.7 cm), Oil on canvas pasted on board, 1954
M his often coal life, study Baishi. lines Other first motif had the a lost early His throughout powerful
boy realising tazias was or in on to Qi and his and and they and depicting horses figures. religious, mythical and spiritual themes. freedom.
young the He chalk Later able artist minimal inspiration. Marc created 1954. recurring stoic passed beasts, imparting to imagery the settings the and TIME
a first was with Franz in were paintings, The central intended grace OF
as witnessing processions. in notebooks. he meet as artist Time’ cornerstone time equestrian vibrant; commitment alongside
Even horses, forms where and horses served artists The of horses As and the manner. bolder different He signify PASSAGE